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San Francisco Opera - Romeo and Juliet

San Francisco Opera - Romeo and Juliet at War Memorial Opera House

Why see San Francisco Opera - Romeo and Juliet?

A tale as old as time

If you thought your family was dysfunctional, try being the two most famous young lovers in literature. Whilst Romeo Capulet and Juliet Montague are concerned with being star-crossed, their rival clans will stop at nothing to destroy the other. When it becomes clear the match will not be tolerated, the pair hatches a scheme to escape the embittered streets of Verona; only the outcome depends on some dangerous trickery that might just see their fates entwined forever, and not in the marriage bed as previously planned.

Romantic, dramatic and unforgettably tragic, enjoy William Shakespeare's epic tale as told through Charles Gound's sparkling and lush score, to a libretto by Jules Barbier and Michel Carre. Directed by Jean-Louis Grinda, this new to San Francisco production stars Bryan Himel and Pene Pati who'll share the role of Romeo alongside Nadine Sierra and Amina Idris as Juliet.

Key Information

Audience

Sung in French with English supertitles

Run Time

Three hours with one intermission

Dates

Finished Oct 1, 2019

Reviews

Customer reviews

1 reviews, average rating: (4.0 Stars)

Elizabeth Thorsnes

Love is Hard Work!

The San Francisco Opera performance of Romeo and Juliet was ultimately truly satisfying for the romantics among us, though it required some patience. The set was ambitious if uninteresting, the production was somewhat ho-hum, and the opera was long—oh, was it long. But the orchestra was lively and on top of things, the chorus did its job admirably, and fortunately for all of us, the substitute tenor had Wheaties for breakfast. Tenor Pati saved the night as we all, Juliet included, fell in love with him. Pati’s voice is not commanding and his presence sometimes seems tentative, yet he manages to dominate every scene he is in, and his will seems to be our command. There were a number of very strong performances by supporting characters (e.g., the Friar, the Duke, Mercutio, Stephano), which empowered the production. If there was any doubt that the length of the program was worth it, the happy jig danced during the curtain call by the risen-from-the-dead principals dispelled all doubt. ... Read more
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